A couple of weeks ago Kellari had six bands performing during a mini-festival. We only went there to see two: Viikate and Amorphis (post and pictures coming later). The other bands weren’t that interesting and since they were using two stages it would have meant risking front row places if we’d seen some of the other bands.
We went to see my hometown boys in Kellari the other night in their first gig of two in Joensuu. We specifically chose the first gig, since the bands has a fairly damp reputation and as such the risk of getting a poorer performance the second night is there. It’s also a reason why we didn’t go see them for a long time, because all of the festival recordings we’ve seen of them playing have been disappointments. Luckily, like the last time we saw them they didn’t disappoint now.
November has already proven itself to be a busy month for us in seeing bands. Last weekend we saw Viikate and Amorphis (pictures coming sometime soon ;) and yesterday we drove to Kuopio to catch The 69 Eyes. I had access to shoot the three first songs even though there wasn’t a pit available.
I must admit that as a Spotify (free) user I eagerly anticipated the release of their iPhone app and was fairly certain that I’d upgrade to a Pro account when it comes out. Now the app has been out for quite a while and I still haven’t made the plunge.
A Pro account doesn’t cost all that much, only 9,99€ – which is about half the price of an album on CD. As such, for the amount of music available it isn’t too much since I already by an album or two every month (if not more). Of course there are technical reasons why the iPhone app isn’t so tempting after all, but a large part of my procrastinating comes from the fact that a lot of the music I like isn’t available on Spotify (smaller and older Finnish bands for example).
Spotify is a great source for music discovery and for listening to various music at work (I don’t need to sync mp3s to work from home). And many a band has found their way to my buy albums list because of the chance to listen to their work on Spotify.
Reading the recent post by Mokoma on FaceBook (via) on the amount they receive for a hundred album plays on Spotify clarified my stance. I’d much rather pay more for an album knowing that the artist receives more money from it – especially when I know that very few albums around are ones that I’d listen to a hundred times anytime soon. I’m also starting to understand why Johann Kustannus pulled their catalog from Spotify.
As a slightly off-topic ramble, I wonder if there are any albums that I’ve listened to a hundred times. From the albums I have a few might be close (Dream Theater’s Images and Words and Steve Vai’s Passion and Warfare) since they both predate mp3s and large libraries of songs to shuffle. I’ve also had both albums for over 15 years.
What I’d still like to know is the difference in revenue the band gets from online sales (e.g. iTunes) and traditional CD sales (full price). The cheaper price of album sales through iTunes is tempting since I could basically buy two albums for the price of one. On the other hand the bonus CDs and such are also tempting…
I also know that I’d like to see Spotify stick around since it is a great tool for music exploration and getting to know bands and artists. And yes, it does do bad things to my buy albums list.