Project52: Vision statement

So, the first assignment for the Don Giannatti’s Project52 was defining who I am by creating a vision statement and making a photograph that realizes my vision statement. The photograph was supposed to be taken at home or in my own yard and during the assignment period, so some limitations were set. Which was good, since it somewhat reduced the pressure in what should be created.

Although vision statements are not necessarily public, I don’t feel any need to hide mine. In fact, I feel that forcing myself to write it down in publishable format makes it a bit more real. And it forced me to spend a bit more time reflecting on it. So, here goes:

My work shows a glimpse into the character of my subject. It tells a story through the moods and atmosphere it invokes. The first sentence is what applies to my current work in photographing dogs, live music, and fire. It is a sign of a good action or unplanned shot. The second is where I am taking my photography in creating planned photographs.

Miss Mallorys Third Time Lucky "Topi"

Shutter speed and video

In my attempts to learn about shooting and editing video I encountered a guideline that stated that for video the shutter speed should be the inverse of the frame rate. So for 25fps the shutter speed should be 1/25 s and so on. The reasoning for this is that it gives moving objects in each frame some motion blur so that motion the change from frame to frame isn’t quite as abrupt. What I read sounded and felt like good advice, but it did lead me to wonder if the same holds when the motion is very fast.

As is readily apparent I shoot a lot of pictures of fast moving four-legged objects that are often black – aka flatcoated retrievers. In my photography I’ve noticed that often even 1/250 s isn’t enough to completely freeze movement when the dogs are in full motion. So I was a bit skeptical whether the advice would apply even when shooting fast moving dogs. Or any other fast moving object for that matter. In defense of my skepticism I must admit that I didn’t doubt the advice when considering objects moving at normal speeds: human walking, normal gesturing, human running etc.

The idea for this shoot is something I’ve had for quite a while, but since I don’t have two cameras capable of shooting manual video, I had to wait for my friend Victor Jason to come over. We’ve reduced most of the variables we could to get similar enough image quality that it wouldn’t be a factor. The following videos were shot with two Canon 7Ds mounted on a single tripod. Both cameras are using a Canon EF 70-200L f/4 USM, although the baseline had the IS version. ISO speed, image styles etc. were also identical. Because we didn’t have ND filters there is a difference in aperture in addition to the shutter speed. Both cameras were also prefocused to the to the line that Topi used when running right to left. My wife Anna served as Topi’s handler and for each take he ran a “mark” – he saw the dummy being thrown and retrieved it once he was given permission. I threw each mark so that they landed in roughly the same spot every time.

We shot two sets of baselines with varying shutter speeds. The first video is shot at 720p with 50fps and the second at 1080p with 25fps.

Shutter speed test at 50fps from Ramin Miraftabi on Vimeo.

Shutter speed test at 25fps from Ramin Miraftabi on Vimeo.

I added the 50% slow motions just to help in seeing what the differences are with the various shutter speeds since Topi is mostly moving too fast. But the idea was to get him moving across a fairly limited field of view to maximize the amount of movement between each frame and we didn’t have any reliable gear or enough experience to seriously consider panning.

Before I discuss my own observations, here are three screen captures from the 1080p video with the shutter speeds of 1/50 s, 1/200 s and 1/1000 s. Of course in all cases the baseline 1/25 s is in the screen capture as well. BTW, note that the leading image was shot at 1/1000 s although not in the same session.

When originally editing the shots my initial impression was that there will be noticeable differences between say 1/50 s and 1/400 s. Of course this was based on looking at single frames and doing slow scrubs back and forth so the impression wasn’t exactly based on watching the actual footage. When I finally watched the rendered clips, I was surprise at how good the baselines look in both cases. Even when watching them on my 24″ monitor at too close a distance the amount of motion blur in the baseline doesn’t make the footage unacceptable to my eye.

But once I watched the edited clips over and over again I began to notice a few things. Most notably:

  • higher shutter speeds show more detail and reflection in the coat (good)
  • 1/25 s is practically a blurry blob in frame grabs (bad)
  • 1/50 s is blurry but shows more reflection in the coat (better)
  • I can’t really see significant differences between 1/200 s and 1/400 s (good)
  • In 1/1000 s the motion starts to get a bit jerky after repeated viewings (bad)

My own final conclusion is that almost anything between 1/50 s and 1/400 s goes and produces acceptable enough footage. I’ll probably tend to pick 1/200 s in in most similar situations but I’ll know that lower shutter speeds will probably be better when the motion is slower or smaller on screen. 1/25 s is much too blurry for my taste, at least with a black dog. Hmm… Maybe we should have shot a similar set with Luka after all while we were at it ;)

But I’ll be happy to say that the advice I read (sorry, I don’t remember the source) isn’t wrong but is solid advice for most scenarios. I’d love to hear what other viewers think based on these comparisons or their own experiences.

Windy

Today was one of those days when leaving the camera inside would have been so easy. When I left our for my walk with the dogs it was around -8°C (16°F), mostly cloudy, and very windy with constant wind speeds of 12 m/s (27mph) and strong gusts. If it wouldn’t have been for the fact that the forecast promised some sun later and we needed some new images for Life of Jalo I wouldn’t have even considered taking it with me. And the fact that I’m really trying to complete a 365 project this year (I’ve only missed one day so far).

Because it was so windy and the wind was blowing the snow across the fields I set out with the express goal of trying to get a shot that really showed how windy it was. Even though I was ready to fall into despair during the first half of the walk where I didn’t really get anything decent, the latter half saved me.

It may have been the sun that decided to make a few appearances through the clouds, the difference in shooting directions, or just that fact that I’d had some time to hone my technique. Whatever it was, I got more pictures than what I could use in a single 365 picture or by posting another picture up on Shutterclicks. So, you get this blog post.

And in this case I must admit that these pictures were more than just shots. The more I think about my photography, the more I understand the difference between taking pictures (or shots) and making pictures. Making pictures requires some thought, a goal, a vision. This time I succeeded, often I don’t.

Naturally, there were more pictures of the dogs, but those I’ll save for Life of Jalo, just in case ;)

Testing the abilities of Finnish retrievers (part 1)

The more I’ve studied retrievers (mainly flatcoats and goldens) around the world, the more confused I’ve become by the various terms that are used to describe tests, trials, and such. Since we blog about our dogs bilingually and have a large amount of foreign readers, I’ve decided to write a description of how Finnish retrievers’ hunting abilities are tested.

The following description is based on the rules governing the different types of testing that are still in a trial period (the trial period ends by the end of 2008). The rules are created by the Finland’s Retriever Association and approved by the Finnish Kennel Club.

Continue reading